Self-Healing Representation in Song Lyrics: Social Semiotics Study of Hitam Putih Album by Feby Putri

Authors

  • Veni Genstar Indonesian Language and Literature Education Study Program, Insan Budi Utomo University Malang, East Java, Indonesia
  • Harun Ahmad Indonesian Language and Literature Education Study Program, Insan Budi Utomo University Malang, East Java, Indonesia
  • Nurwakhid Muliyono Indonesian Language and Literature Education Study Program, Insan Budi Utomo University Malang, East Java, Indonesia
  • Ari Nugrahani Indonesian Language and Literature Education Study Program, Insan Budi Utomo University Malang, East Java, Indonesia

DOI:

https://doi.org/10.55909/jpbs.v4i4.771

Keywords:

Self-healing, Social Semiotics, Song Lyrics

Abstract

Music has long been recognized as an effective medium for conveying human emotions and thoughts. Through song lyrics, music not only serves as a means of self-expression but also conveys profound meaning to those who listen to it. Recently, it has become increasingly common for singers to incorporate themes of self-healing into their music. One such artist is Feby Putri in her second album titled Hitam Putih. The lyrics of these songs present several phenomena of self-healing that are particularly intriguing when examined through the lens of Social Semiotics. Therefore, this study aims to (1) analyze the representation of self-healing in the lyrics of Feby Putri’s Hitam Putih album, and (2) identify the elements of social semiotics used in Feby Putri’s Hitam Putih album. The method used is descriptive qualitative analysis of the text. The techniques employed include documentation and literature review. Additionally, the data analysis technique selected uses a social semiotics approach, where the analysis stages include identifying symbols within the song lyrics. The analysis process began with a thorough reading of the song lyrics, followed by an analysis of the symbols based on the social semiotics framework, then an interpretation of meaning by linking the symbols to the social context. Finally, the symbols were integrated with social semiotics theory to conclude the representation of self-healing in the lyrics. The results of this album’s research reflect the emotional journey of individuals in facing suffering, self-reflection, and the process of finding inner peace. The lyrics in the Hitam Putih album contain representations of deep emotional experiences, reflecting interpersonal relationships between the singer and the listener through empathetic and personal word choices, and structured in a way that supports cohesive and coherent meaning connections.

References

Aska, W., Alghifari, M. F., & Goziyah, G. (2022). Van Dijk's Critical Discourse Analysis On The Lyrics Of The Song "Usik" By Feby Putri. Skripta Journal, 8(2), 36-42. https://doi.org/10.31316/skripta.v8i2.3309

Bogdan, R., & Biklen, S. K. (2007). Qualitative research for education: An introduction to theories and methods. Pearson.

Bonanno, G. A. (2021). The End of Trauma: How the New Science of Resilience Is Changing How We Think About PTSD. Basic Book.

Denzin, N. K., & Lincoln, Y. S. (2018). The SAGE handbook of qualitative research. SAGE Publication.

Fitri, R. D. (2024). The Effect of Music on Mood and Emotion The Role of Music in Mental Health. Circle Archive, 1(4), 1-14.

Halliday, M. A. K. (1978). Language as Social Semiotic: The Social Interpretation of Language and Meaning. Edward Arnold.

Halliday, M. A. K., & Matthiessen, C. M. I. M. (2014). Halliday's Introduction to Functional Grammar (4th ed.). Routledge.

Kresovich, A. (2022). An Experimental Test of Pop Music Lyrics Referencing Anxiety on Female College Students' Audience Involvement and Peer Mental Health Empathy. Journal of Health Communication, 27(3), 192-200. https://doi.org/10.1080/10810730.2022.2078910

LeDoux, J. (2019). The Deep History of Ourselves: The Four Billion Year Stroy of How We Got Conscious Brains. Viking.

Pahlevi, F. R. (2024). Advocacy Through Music: A Case Study of the Song "We Will Not Go Down" in the Gaza Freedom Movement. Humanitis: Journal of Humanities, Social and Business. Humanitis: Journal of Humanities, Social and Business, 2(7), 598-604.

Rahma Arifatuzzahra, Maila Syakhshiyatul Ma'rufah, Annisa Sultan Alfiani, & Amalia Fajriyyatin Najichah. (2024). Analysis of K-pop Trend on English Learning Motivation among Gen-Z. DIAJAR: Journal of Education and Learning, 3(3), 263-271. https://doi.org/10.54259/diajar.v3i3.2544

Salsabila, S., & Fidiyanti, M. (2024). Emotional Expression in Taylor Swift's 'Back to December' Using Halliday's Systemic Functional Linguistics. Proceedings of National English Undergraduate Student Conference (NEUSCO), 204-213.

Siegel, B., Wing, D., Kenley, H., & Levy, J. S. (2017). Recovering The Self: A Journal of Hope and Healing: Vols. VI, No. 1. Loving Healing Press.

Silverman, D. (2020). Interpreting Qualitative Data (6th ed.). SAGE Publication.

Sugitanata, A., & Hasan, F. (2025). Formulating Psychological Recovery after Romance Failure in the Perspective of Psychological Adaptation Theory and Maqāṣid al-Sharī 'ah. Annual International Conference On Islamic Education And Multiculturalism (AICIEM), 174-193.

Tyas, S. P., Suryasuciramdhan, A., Mahesa, A. D., & Racmawati, A. P. (2024). Music as a Medium of Mental Health Communication: Semiotic Analysis of Kunto Aji's 'Rehat' Song Lyrics. SABER: Journal of Informatics Engineering, Science and Communication Sciences, 2(3), 37-44.

Downloads

Published

2025-08-08

How to Cite

Genstar, V., Ahmad, H., Muliyono, N., & Nugrahani, A. (2025). Self-Healing Representation in Song Lyrics: Social Semiotics Study of Hitam Putih Album by Feby Putri. Jurnal Pembelajaran Bahasa Dan Sastra, 4(4), 837–846. https://doi.org/10.55909/jpbs.v4i4.771

Issue

Section

Articles