Comparative Analysis of Language Style and Religious Values in the Text of Mahallul Qiyam Kitab Maulid Ad-Diba'i: A Stylistic Study

Authors

  • Rezky Latifah Nuraida Prodi Bahasa dan Sastra Arab, UIN Sunan Gunung Djati Bandung, Jawa Barat, Indonesia
  • Rohanda Prodi Bahasa dan Sastra Arab, UIN Sunan Gunung Djati Bandung, Jawa Barat, Indonesia
  • Mohamad Syasi Prodi Bahasa dan Sastra Arab, UIN Sunan Gunung Djati Bandung, Jawa Barat, Indonesia

DOI:

https://doi.org/10.55909/jpbs.v5i3.1324

Keywords:

anguage style comparative, religious values, text, stylistic study

Abstract

This study aims to analyze the use of comparative language styles in the Mahallul Qiyam text contained in the book Majmu'atul Maulid Wal Ad'iyah written by Imam Abdurrahman al-Diba'i and the religious values ??contained therein. As an approach, this study uses a stylistic approach with the applied method being a qualitative descriptive method. The main focus of this study includes the types of comparative language styles and also the religious values contained therein. The data sources in this study are verses in the Mahallul Qiyam text that contain elements of comparative language styles. The data collection technique is carried out through the listening and speaking technique with intensive reading of the text, while for data analysis, the distribution method is carried out through the direct element (BUL) technique to identify the tenor, vehicle, and meaning relationship. The results of the study indicate that there are comparative language styles such as tasybih, majaz, and personification. The application of these language styles not only plays a role as an aesthetic element, but also as a tool to convey religious values. Among the most prominent religious values are the values of faith, which relate to belief in the nobility of the Prophet Muhammad (peace be upon him), and the values of morality and worship, which are part of its spiritual implications. Thus, the text of Mahallul Qiyam reflects the blend of linguistic beauty and profound religious meaning within the Islamic literary tradition.

References

Al-Hasyimi, A. (1999). Jawahir Al-Balaghah. Beirut: Dar al-Fikr.

Alhanif, A. A., Sihombing, A. S., Saputra, A. R., Ammar, A., Febrianti, A., & Aulia, A. N. (2025). Keindahan Makna dalam Tasybih dan Isti’arah: Studi Semantik dalam Surah Yasin. PEMA, 5(2), 537–550. https://doi.org/10.56832/pema.v5i2.1293

Azizah, R. A. (2024). Majaz Isti’arah Makniyyah dalam Kitab Maulid Ad-Diba’i Karya Imam Abdurrahman Ad-Diba’i. 4, 239–248.

Dwi Andhini, A., & Arifin, Z. (2022). Gaya Bahasa Perbandingan Dalam Novel Catatan Juang Karya Fiersa Besari: Kajian Stilistika dan Relevansinya Sebagai Bahan Ajar Sastra di Sma. Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya, 2(1), 44–57. https://doi.org/10.37304/enggang.v2i2.3882

Eli, E., Kholidah, U., & Dessy Saputry. (2024). Gaya Bahasa Pada Novel “Bara dalam Jelaga” Karya Napermana. Edukasi Lingua Sastra, 22(1), 13–22. https://doi.org/10.47637/elsa.v22i1.1099

Farazila, N. (2024). Diksi, Gaya Bahasa, dan Citraan dalam Cerkak Pacarku Aneh Karya Lina Maisaroh (Kajian Stilistika). Kaloka Jurnal Pendidikan Bahasa dan Sastra Daerah, 3(1), 53–63. https://doi.org/10.26877/kaloka.v3i1.10828

Fatimah, S. N., Fakhrizal, F., Halim, M. F., Raswan, R., & Dardiri, D. (2025). Analisis Gaya Bahasa Repetisi dalam Mahallul Qiyam Maulid ad-Diba’i (Edisi Mil’u al- Awani) Perspektif Gorys Keraf. Ta’limi: Journal of Arabic Education and Arabic Studies, 4(2), 307–323. https://doi.org/10.53038/tlmi.v4i2.315

Ghassani, B. C. (2021). Analisis Majas Metafora Dan Personifikasi Pada Syair Perahu Karya Hamzah Fansuri (Bag. 1). 2, 39–47.

Habibah, R. E., & Rohanda. (2025). Gaya Bahasa Perbandingan dalam Lagu Hobbo Ganna, Water Elhassas dan Kalam Eineh (Kajian Stilistika). 13, 301–316. https://doi.org/10.24252/saa.v13i1.57743

Halawa, M. (2021). Gaya Bahasa Perbandingan Pada Novel “Jalan Pasti Berujung” Karya Benyaris Adonia Pardosi. Kohesi: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 2(1), 1–11. https://doi.org/10.57094/kohesi.v2i1.412

Halim, M. F., Marhamah, S., & Dardiri, A. (2025). Perbandingan antara Kinayah, Majaz, dan Tasybih dalam Ilmu Balaghah. 1(2), 165–169. https://doi.org/doi.org/10.63822/pwe5s182

Julia Maulida, N., Intiana, S. R. H., & Khairussibyan, Muh. (2022). Analisis Gaya Bahasa Novel Badai Matahari Andalusia Karya Hary El-Parsia. Jurnal Ilmiah Profesi Pendidikan, 7(4), 2261–2269. https://doi.org/10.29303/jipp.v7i4.948

Keraf, G. (2006). Diksi dan Gaya Bahasa. Jakarta: Gramedia Pustaka Utama.

Khasanah, D. F. N., Listiawati, R., Khasanah, K. N., & Sudiatmi, T. (2024). Alegori dalam Lirik Lagu Bermakna Religiusitas Guna Meningkatkan Pemahaman. Basindo: jurnal kajian bahasa, sastra Indonesia, dan pembelajarannya, 8(1), 129. https://doi.org/10.17977/um007v8i12024p129-141

Martani, F. T., Muryati, S., & Wahyuni, T. (2019). Pemakaian Gaya Bahasa Perbandingan Pada Lirik Lagu-Lagu Grup Musik Dewa 19 Dalam Album Kerajaan Cinta. Klitika: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 1(2). https://doi.org/10.32585/klitika.v1i2.474

Nasution, A. N. (2022). Surah An-Nasr Kajian Stilistika Al-Qur’an. Al-Bayan: Jurnal Ilmu al-Qur’an dan Hadist, 5(2), 187–205. https://doi.org/10.35132/albayan.v5i2.217

Nuha, U. (2022). Studi Ilmu Balaghah. Yogyakarta: Istana Agency.

Rahayu, S., Muliana, M., Zuliana, N., Silpina, R., Pane, S. R., Satria, Y., & Jawilovia, Z. (2024). Gaya Bahasa Simile dalam Kumpulan Puisi Balada Orang-Orang Senja Karya Sobirin Zaini. Ideguru: Jurnal Karya Ilmiah Guru, 9(3), 1519–1529. https://doi.org/10.51169/ideguru.v9i3.1113

Ridwan, M. (2023). Membuka Wawasan Keislaman: Kebermaknaan Bahasa Arab Dalam Pemahaman Islam. Jazirah: Jurnal Peradaban dan Kebudayaan, 4(2), 102–115. https://doi.org/10.51190/jazirah.v4i2.100

Rohanda, R. (2016). Metode Penelitian Sastra: Teori, Metode, Pendekatan, dan Praktik. LP2M UIN Sunan Gunung Djati, Bandung.

Salamah, U., Dardiri, A., & Fudhaili, A. (2025). Teori Ilmu Uslub (Stilistika) Menurut Syukri Muhammad Ayyad dan Perbandingannya dengan Ilmu Balaghah. 1(2), 275–283. https://doi.org/10.63822/8wndz156

Salsabila, H. A. (2025). Gaya Bahasa Dalam Syair ‘bawt bafîr Al-Bulbul’ Karya Al-Acma¿î. H. A., 10(4), 1470–1488.

Sayyid at-Tholiqah li’ Adhmi Sayyid Muhammad Bahrul Ulum. (t.t.). Rijâl as-Sayyid Bahrul Ulûm. Iran: Mansyurat Maktabah as Shodiq.

Setiawati, A. M., Ayu, D. M., Wulandari, S., & Putri, V. A. (2021). Analisis Gaya Bahasa Dalam Lirik Lagu “Bertaut” Nadin Amizah: Kajian Stilistika. Jurnal Penelitian Humaniora, 26(1), 26–37. https://doi.org/10.21831/hum.v26i1.41373

Siregar, S. D. P., Sopian, A., & Nurbayan, Y. (2023). Why Is It Advised To Stand In Mahallul Qiyam? (A Semiotic Study Of Narratology). ‘A Jamiy: Jurnal Bahasa Dan Sastra Arab, 12(2), 454. https://doi.org/10.31314/ajamiy.12.2.454-467.2023

Syahid, A., & Selviana, I. (2019). Gaya Bahasa dalam Lirik Lagu Shalawat Nissa Sabyan dan Implikasinya terhadap Studi Stilistika (Ilmu Uslub). Al-Fathin: Jurnal Bahasa dan Sastra Arab, 1(2), 195. https://doi.org/10.32332/al-fathin.v1i2.1274

Tarigan, H. G. (2009). Pengajaran Gaya Bahasa (2 ed.). Bandung: Angkasa Bandung.

Titin Ernawati & Herman Wijaya. (2023). Dialog Kebangsaan Dalam Wasiat Renungan Massa Kajian Tindak Tutur Lokusi, Ilokusi, Dan Perlokusi. ALINEA: Jurnal Bahasa, Sastra dan Pengajarannya, 3(3), 652–664. https://doi.org/10.58218/alinea.v3i3.779

Downloads

Published

2026-05-05

How to Cite

Nuraida, R. L., Rohanda, & Syasi, M. (2026). Comparative Analysis of Language Style and Religious Values in the Text of Mahallul Qiyam Kitab Maulid Ad-Diba’i: A Stylistic Study. Jurnal Pembelajaran Bahasa Dan Sastra, 5(3), 2055–2064. https://doi.org/10.55909/jpbs.v5i3.1324